~~ AllMusic Review by Andy KellmanĠ9 – Show You The Way (feat.
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Additional guests Kendrick, Pharrell, and Wiz Khalifa add to the star power, but the main attraction is Bruner’s singular combination of tremulous yet fluid bass and aching falsetto.
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Love and mortality remain Bruner’s strongest subjects, placed on full display in terse but touching ballads like “Lava Lamp,” “Jethro,” and “3AM.” In “Show You the Way,” another bright spot, he swaps verses with Michael McDonald and Kenny Loggins, two of his heroes, to swirling and balmy effect. At times, the whimsicality sinks into middle school humor (“Captain Stupido”) and misogyny (“Friend Zone”). The album consists of 8 tracks, dated from anywhere as early as 2013 and clocks in at 34 minutes in listening time. The album is titled untitled unmastered and is now available for stream and download. Bruner dreams about being a cat (replete with meowing background melody), pens a tribute to Japanese pop culture (“Just point me to the Pachinko machines”), and delivers a sarcastic jingle regarding social media fatigue (“I’m out here probably doing the most”). Earlier tonight, news surfaced that Kendrick Lamar would be dropping a brand new surprise album at midnight. For better and worse, there’s a lot of foolishness occurring here. He surrounds himself with a slightly different cast of old and newer associates, including the first three figures listed above, keyboardist Dennis Hamm, drummer Louis Cole, and producer Sounwave. Bruner is still fueled by numerous forms that immediately preceded his birth - smooth soul, soft rock, jazz fusion, synth funk, new wave, all late ’70s/early ’80s - and filters them through his soft-hearted, mischievous personality. Several months before Bruner picked up a Grammy for “These Walls,” off To Pimp a Butterfly, he issued an EP anchored by “Them Changes.” His funkiest, sweetest, most vulnerable song, it reappears as the top highlight on Drunk, a fragmentary and scattered program relative to the Thundercat full-lengths that preceded it. This new album is an epic journey into the often hilarious, sometimes dark mind of the Grammy-winning singer/bassist – featuring a few of his friends joining him along the way including: Kendrick Lamar, Pharrell, Michael McDonald, Kenny Loggins, Wiz Khalifa, Kamasi Washington and Brainfeeder mastermind Flying Lotus.īetween Apocalypse and Drunk, his second and third albums, bassist Stephen Bruner contributed to a slew of remarkable recordings by fellow Los Angeles dwellers - Flying Lotus’ You’re Dead!, Kendrick Lamar’s To Pimp a Butterfly and Untitled Unmastered, Kamasi Washington’s The Epic, and Terrace Martin’s Velvet Portraits among them.
#Kendrick lamar untitled unmastered rar download
Studio Master, Official Digital Download – Source: | Digital booklet | © Brainfeederĭrunk is the third studio album by American Alternative R&B musician Thundercat. This extreme sensibility lends itself to a perfect inversion of TPAB.FLAC (tracks) 24-bit/44,1 kHz | Time – 54:36 minutes | 628 MB | Genre: Hip-Hop, Jazz, Funk In this vacuum-still very much under his direction-the band explores harsh, diminished, or otherwise musically uncomfortable territory. Kendrick Lamar is off to the side, leading from behind. Instead, we have more emphasis on the band surrounding him, such as the always wonderful Thundercat on bass, or vocalists like CeeLo Green and Bilal. Though this is his album, undoubtedly, the number of verses he has are surprisingly few. He is a ghost, a presence, more than a force. This extends to Lamar’s actual presence on the album. The references to-and voices of-artists such as Albert Ayler, Eric Dolphy, Kamasi Washington, Flying Lotus, Parliament/Funkadelic, DJ Shadow, and other jazz, funk and soul artists feel far more important to the sound than Lamar’s own voice. More importantly, untitled unmastered feels heavily driven by the musicians who influence it. That clearly intentional discomfort and disorganization is also felt in the production and gnaws with a lack of resolution or closure. The vibe is that of an empty studio late at night, as if from a German Expressionist film from the 1920s, where the angles are harsh and unreal, while a psycho prowls the night.
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The lights feel too bright, and time seems to be frozen in shadow: Over everything, stillness. The fact that this album lives in negative space, like the margins on a page or silence between songs, is paradoxical and often disconcerting. It is ballsy and on point, which I appreciate more than enjoy.
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Untitled unmastered, by contrast, is a record defined by absence and void: there is no structural or tonal center for most of the tracks, nor are there even song titles the music, a mix of live jazz and ambient beats meanders and strays, without consideration for narrative, cohesion, or structure. Untitled Unmastered (stylized as untitled unmastered.) is a compilation album by American hip hop recording artist.